The power of the photographic interview

The power of the photographic interview

One of my favorite exercises I use to teach photography and learn about my own work is called the interview project. This process involves you doing enough research about a photographer you are inspired by or want to learn from and then create a set of 10 to 20 interview questions that you would want to use to interview them. In some cases, you might be lucky and be able to use those questions to interview the photographer. Still, sometimes they might no longer be alive. Either way, part of the process is to answer those questions as if you were the photographer. This will help you get some insights into how you might approach the work. You then use those same questions, slightly modified to fit your work, and then interview yourself.
The podcast this week walks you through the process and so possible insights you might be able to get with a simple little exercise that gives you big rewards in understanding your own process and work.

The power of the photographic interview

The value of small changes you can make even in a year of crazy to boost your photography enjoyment

Sometimes it is the little things that can make all the difference. In a photograph, it might be a shift in POV or depth of frame. In our printing, it might be the right paper selection. No matter what you are working on a small change can be a big deal. However, as the days seemingly run together in this year of COVID, I got to thinking about how easy it is to miss the small changes since everything and every day seem to blend. 

This week’s podcast takes a look at how small changes can impact your photography and work. Hopefully, they can inspire you to try out the same or think about what small changes you will carry forward even when things shift out of our 2020 way of being.

The power of the photographic interview

How do you define photography and the impact of non-photographer based photography

I often think of photography as an active verb. It is something that we do, see, and respond.

There is, however, a whole set of photography that is created without the photographer. Video and photos are created by surveillance systems and unattended cameras. These photographs and videos are used for evidence for the most part to show the actions recorded by these cameras without the influence of a photographer.

This week’s podcast takes a look at how we define photography in the context of who and how the image was created and the responsibility of photographers to help have meaning conversations about intent and context for how images and videos are made.

Please remember to keep safe and wear your mask!

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