This week’s podcast introduces my two new long-format workshops and also an exercise, called 10×10, which will help you better understand your approach to editing and creating your photography.
There are a number of aspects of photography that fall into two camps. There are artistic decisions and technical decisions. For some people, you might think of this as left-brain (technical) and righ- brain (creative) decisions. However, to be successful, you need both sides of your brain to make a good photograph. Not only both sides but also some language around how both sides work together to make a successful photograph.
When we can talk about how our camera decisions help or hinder the experience of a photograph, we can make better photographs in the future. We can, with this enhanced language, also provide better feedback to other about there work. RAther than focusing on what f/stop, we could focus on the effects of sharpness in an image as it relates to how the image is seen. So much of photography is about learning to translate what we see in the world into the image even when what is in front of us is shifted by the camera options. When we lack the language to describe what we want, we can make decisions with the camera resulting in work that often feels empty. Learning to be able to have a language to describe what we want and how to get it with the camera makes the artistic side of our work easier. This week’s podcast is a deep dive into the important distinction of these two sides of our language and how to balance them for the greatest impact.
One of our listeners sent in a great question about distractions. Her question was a two-part approach to dealing with distractions.
The first was dealing with the distractions of editing the wrong images. The second area was dealing with distractions outside of editing.
We take a dive into both of these topics this week and look at some ideas for dealing with these distractions and approaches for when it might be ok to be distracted.
Make yourself the best photographer in the world. To do so, all you have to do is wear a mask. If you think it kills your freedom, put one and walk around and see if you can still do things. If you can, the mask hasn’t destroyed your freedom but has kept the rest of us safer.
In this week’s podcast, I reflect on how our emotional state can drive how we approach our photographs when we are out in the field. The shifts in emotions, feelings, and experiences while out with a camera can drive composition, framing, and technical decisions we make with the camera. Being aware of these shifts and changes can make a significant impact on our work. The more aware we are of this impact, the more likely we are to get images that resonate with who we are and the stories we are telling.
I get asked a lot of questions about photography. Some are good, and some are not so good. When we look at our own work and spend time behind the camera it is all about asking and answering questions. Is this the right composition? Do I have the right settings? Is my narrative on point?
In my experience, when we ask the right question we get what we want in our photography sooner than later. So, this week’s podcast is a look at the process of asking questions and how we answer those questions in a effort to make the best picture possible.
As COVID-19 continues to build in the USA, I thought I would use the podcast this week to share five things you can do with your stay at home time. These to-do items will work even if you aren’t stuck at home under quarantine. Still, these to-dos can help pass the time and improve your photography and photographic inspiration if you are at home.
Read and do the work in one of your photography books you bought
Inventory your camera gear for insurance and to do a keep, sell, donate, or shelf
Make a viewing wall for looking at prints
Make some new photography friends by reaching out to photographers you follow but haven’t connected with at some point
Do a 10 for 10 project. You will just have to listen to learn what this is all about.