Podcast #205 Time is more than shutter speeds

As you think about your approach to photography, there are only a couple of factors that come into play. At its most basic level, photography is light and time. 

In this week’s podcast, I talk about how our approach to time can have huge impacts on how we create and view our photographs. Behind the camera, time is one way we bound the frame. We might limit time to fractions of a second, or we can extend it for days, weeks or months. However, what is it about time not behind that camera that causes such dramatic changes in our approach to photography. 

It doesn’t matter if you are making your art for art sake, to learn to live or some other reason. How you find ways to extend, step out of time and return to times that matter are foundational in your approach to your work. In my process, I find that how ideas are found and lost, my approach to living with a print and the speed at which I feel I need to work all have impacts on my work. I hope that in the podcast, you find a way to think about your approach to time and how to get the most out of it. 

Podcast #204 Abundance and fear in our work

I have been in several conversations over the past few weeks about the impacts of fear in our lives. It doesn’t matter if you are talking politics, art or families, fear can show up in many ways. 

As I got to thinking about how fear shows up in my work and what is at the root of my fear, I realized that in my creative life and photography I could work from the limits of fear or lean into abundance. This week’s podcast is about how fear can show up in our work and the value of focusing more on the wealth that comes from our creative wells. 

Podcast #203 Depth of the photograph

I was asked recently to help a friend understand how to use depth of field on a new camera. They had always been using an iPhone and just wanted to know how to use that feature of their camera. 

The idea of depth stuck in my head as a critical aspect of the photograph from the depth and illusion created by the paper to the emotional connection to the work. There are always layers and depths to a photograph. In this week’s podcast, we talk about three key elements to depth in photography.  

First, I discuss the impact of matte versus glossy papers and how they can shift our focus from the photograph as an object to the subject as a focus in print. Second, I talk about how emotional depth allows us to connect to work in a more meaningful way. Finally, I focus on how we can create more depth in our community by avoiding common critique traps and focusing on real relationships with people that can help move our work forward.  

“I feel very fortunate to have met, worked and studied with Daniel Gregory. He’s thoughtful, engaging, and talented both technically and creatively.  I’ve had the chance to learn from him both one-on-one and in a group setting. He is a wonderful teacher and mentor.”

Jeff Merriman-Cohen

Color correction cheat sheet

Learning to print in color is about using a system of opposites to balance the photograph. This is the same process in the analog darkroom and in black and white printing. You add light to make it darker, subtract light to make it brighter and add the...