For 2018, I am hosting a number of in-person and online workshops. From learning about creating amazing black and white images to mastering your digital printing to finding how to create more meaningful work, there will be several workshops to consider. I am also hosting a number of workshops with Lori Kane, my partner in Silly Dog Studios. These workshops will focus on a number of creative topics and ideas. Look for both my photography and the silly dog dates in the coming weeks.
“I feel very fortunate to have met, worked and studied with Daniel Gregory. He’s thoughtful, engaging, and talented both technically and creatively. I’ve had the chance to learn from him both one-on-one and in a group setting. He is a wonderful teacher and mentor.”Jeff Merriman-Cohen
Latest Blog Post
Learning to print in color is about using a system of opposites to balance the photograph. This is the same process in the analog darkroom and in black and white printing. You add light to make it darker, subtract light to make it brighter and add the...
Color correction is one of the first steps in editing an photograph. When I am working with people, I get asked what makes something color correct? Does that mean the colors are real? True? Accurate? Pleasing? And, the answer is a little of all that. The big first...
When printing, one of the biggest areas of confusion in the print options dialog box surrounds rendering intent. The rendering intent are a process of making decisions on how to deal with colors that are in and out of range of the various devices we use to display...
The Perceptive Photographer Podcast
Ok so after a quick rant on the war and revolution that is coming in photography click bait, this week’s podcast focuses in on balance. As we have discussed many times on this podcast, balance is something that is important when thinking about images while behind the camera. However, this week, we are focusing on the importance of balance, or lack of balance, in the final image.
Balance is about visual harmony and understanding of the frame. It is achieved several ways, but for most photographs, it is about how color, shape, form, space and design elements interact together. This week we focus on some of the central aspects of balance among those various aspects and how they can be used to move an image out of balance or into balance.
Michael Gregory, no relation, wrote an excellent article for Aperture in 1961 about the nature of photographic style and idea for how to define and use style in photography. I was recently rereading the article and used it as the foundation for this week’s podcast. One the most common topics I hear about that is related to creating great photography is that you need to have a style, but the definition of style is both ambiguous and misapplied. This week, using the insights from this 55-year-old article, we talk about what style is and how to understand how it appears in our photography and what it matters.
In this week’s podcast, we are talking about how to go about applying some of the basic concepts from minimalism and getting organized to make it easier to work and edit our photographs. At times it is very easy to get overwhelmed with the work required to make a good photograph. However, by learning to focus on a few key things that have been tried and tested to work in keeping organized, you might find that you can make better photographs more efficiently and faster.