For 2018, I am hosting a number of in-person and online workshops. From learning about creating amazing black and white images to mastering your digital printing to finding how to create more meaningful work, there will be several workshops to consider. I am also hosting a number of workshops with Lori Kane, my partner in Silly Dog Studios. These workshops will focus on a number of creative topics and ideas. Look for both my photography and the silly dog dates in the coming weeks.
“I feel very fortunate to have met, worked and studied with Daniel Gregory. He’s thoughtful, engaging, and talented both technically and creatively. I’ve had the chance to learn from him both one-on-one and in a group setting. He is a wonderful teacher and mentor.”Jeff Merriman-Cohen
Latest Blog Post
Learning to print in color is about using a system of opposites to balance the photograph. This is the same process in the analog darkroom and in black and white printing. You add light to make it darker, subtract light to make it brighter and add the...
Color correction is one of the first steps in editing an photograph. When I am working with people, I get asked what makes something color correct? Does that mean the colors are real? True? Accurate? Pleasing? And, the answer is a little of all that. The big first...
When printing, one of the biggest areas of confusion in the print options dialog box surrounds rendering intent. The rendering intent are a process of making decisions on how to deal with colors that are in and out of range of the various devices we use to display...
The Perceptive Photographer Podcast
In this week’s episode of the Perceptive Photographer we discuss two topics that can have an impact on how we create photographs and how we share photographs. The first half of the podcast, we talk about how to learn a new task that can be applied in our photography, and the second half we focus on what a photograph should be as an object or artifact.
Learning a new task is all about the creative practice. Learning new things can add a lot of energy and excitement to our creative process. When we are learning something new, our expectations need to be balanced between how long it really will take with how long we think it should take. Sometimes when we are learning something easy and simple, it might not take very long at all to learn the task. But, when things are more complex, it can take a lot longer to learn. Knowing the complexity of the task can help you set your expectations and also release pressure when you get frustrated when things are happening slower than you want.
As we move into the second half of the podcast, we take a look at some of the things to consider when you are processing and outputting your photographs. Photography is a very flexible medium and figuring out how you want to share an image and how the photograph should be experienced is an important part of the process. There are a lot of factors that can impact if your images should be prints, digital, composites or used in some other way. I like to consider some of these factors when I figure out how to create the final object that becomes the photograph:
the feeling I want the person to have when they/I look at the image
longevity of the image
manipulation of the image
replication of the image
the accuracy of the image.
In the next week or two, we will be announcing the workshops happening at Silly Dog Studios so check out that information when it is released in the next podcast or two.
One of the consistent things that you see when you study working artist is that they are always working. While they may spend some time researching, reading and talking about aspects of their work, they all have their nose to the grindstone. I have learned that this is more than just a desire to create work, but it also is a step forward to understanding the work. It isn’t enough to just sit around and think about the work, at some point you have to do the work. We learn who we are as photographers by making photographs.
We learn about our identity as an artist in the type of work we create, the meaningful photographs are not just things we create for others, but they are foundations for us to learn about how we see and create our worlds. They give us insights into the past, present, and future of the life we have and hope to have. Sharing the ideas of our vision allows us to take steps forward in work.
In this week’s podcast, we examine the importance of how creating our photographs gives us insights into the way we use our process to help us understand out our life unfolds.
During a recent photogravure workshop, I was standing around waiting for a plate to finish and I started to again think about why we photograph. What is is about photography that compels us to make images? I think for a lot of artists, regardless of their discipline, share some common threads. I believe that an artist is not unique because of some divine intervention but rather a willingness to put in the time. It reminded me of an article by Brooks Jensen from an old Lenswork magazine where he talks about why we make art. In this week’s podcast, we return to that article expanding on some of Brook’s ideas and put a little of my own spin on his foundation.