This week’s podcast is a chat about how we feel about photography and photographs. In my teaching experience, I have found that many people think a lot about their photographs, but in some ways how we feel about our photographs can matter more.
This week’s podcast is a quick chat about setting goals for the new year and the importance of looking back at the past year and celebrating what was good. In a year harder than most for people, 2020 gives us a chance to celebrate the flexibility and durability we all have to continue adapting and creating.
This week’s podcast topic came about because of some maintenance on the car. That maintenance got me thinking about how scheduled maintenance to keep a car running smoothly could be applied to photography.
This week’s podcast is about the importance of having traditions in your photography. No matter how big or small traditions are something we can look forward to each year and reflect back on the past.
This week’s podcast is all about homework. One of the areas that I think all photographers could improve is understanding what makes a good photograph or a good photograph to them. We dive deep into that topic this week with an exercise to help you better understand how and why you react to photographs the way you do and apply that knowledge to future images or discussions.
This week marks the 300th episode of the podcast. So first off, thank you to everyone who tunes in and listens to the podcast. It really means the world to me that you all tune in and check out what is going on with the podcast. As I mention about a third of the way into this week’s show, this podcast is about all the experiences that I have about how photography impacts my life both just every day and creatively. It isn’t about gear, techniques, or fads, so I know it has a niche market. I do appreciate that you come back every week to listen.
I have been asked a lot recently about what I think about some of the new tools digital photographers have at their disposal. Many programs now offer “AI or machine learning” to help edit photographs. Now with the click of a few buttons, you can replace skies, change expressions, or quickly composite images together.
In today’s podcast, we talk a little about a few issues that arise when you think about the nature of computational photography and the language and words we might consider when talking about photography moving forward.
In the end, I think we all want to make interesting photographs, and the composition and framing are so much of that experience. The more you can be aware of composing, the more interesting and accurate stories you can tell. Being aware also gives you something else that is critical to photography–repeatability. You can repeat something repeatedly because you understand what happened and not just got lucky once with an accident. At the end of a day of photographing, knowing that we’re able to get the image you wanted because you understood the composition’s impacts making the editing and selection process that much more fun.
In this week’s podcast, we look at the impacts of muscle memory on our photography. Muscle memory, or the body’s ability to do something without thinking about it, is an important aspect of working as a photographer. This memory allows us to be able to quickly and efficiently do our jobs. From settings on the camera to keyboard shortcuts in a program, being efficient can really make a difference in how we can do our work. Yet, there is a downside. Anyone who has spent too much time hunched over a desk knows that bad things can happen when muscles remember bad things. Hunched over a desk can make our backs and necks hurt for days as the muscles unwind. In our photography, bad muscle memory can reinforce bad habits or make us a little lazy in our approach to editing and working. Spending some time to sort out what is good and bad about our muscle memory habits might make us better photographers and a little less sore.
In this week’s podcast, we look at a possible photographic approach and discuss how you approach knowing when enough is enough when creating the image. For many of us, our approach to getting an image completed is incremental. We take small steps in our approach to framing, editing, shooting, and printing. While this method works, I propose that by making more grand shifts earlier in our process, we can get to a better result faster. We can get a better image, better concept, and better experience with the work by taking big leaps of faith in our workflow and trusting that going too far sometimes and backing off can produce more interesting images.
After reading a brief snippet about how Forbes creates its top 200 most brand valuable companies, I got to thinking about what formulas do we use in our photography when we assign a photograph a star value of 1-5. This week’s podcast looks at how we approach and think about our rating systems for our images.
Everything is connected. When you photograph a leaf, it is part of a tree. A leading line doesn’t just start and stop in your frame. It extends beyond the frame. In this week’s podcast, we look at how our approach to seeing the whole and its parts can impact how we view the world and the images we make. Small shifts in our awareness of how everything is related in an image and how those relationships extend beyond the frame can help you make more meaningful work.