tPP89 Impacts of how we define our creative process

Hosted by Daniel j Gregory

November 21, 2016

Episode Number:

What the heck is this week's podcast about?

Holiday Season

As the holiday season approaches, we were out shopping for the new house and was amazed at just how busy everyone seemed. People seem to be running around from store to store and place to place without really slowing down to experience anything they were seeing. And in all of that rushing, I got me thinking about our creative process.

How we define our creative process

I think one of the things that we do as an artist is to sometimes put limits on her own creativity based on the definitions of what we define our work to be. Most other creative endeavors don’t have those limits. A writer will write whatever they can imagine, and  a painter will paint whatever they can imagine.  As a photographer, if your imagination extends beyond the frame of the single shot, I challenge you to figure out how to create truly what your creative spirit is finding and seen in the world.   sometimes, our own definition of what a photograph is or is not supposed to be can inhibit our ability to create. If what truly matters to you is feeding your creative soul and sharing the way you see and experience the world and the story you want to tell,  I think you have to allow yourself to create what you feel and figure out what process, tools, and techniques ultimately get you there the fastest.

If you subscribe to the Perceptive Photographer up on in iTunes and have you take a few minutes to do a quick review, it can help others learn about the show.

If you subscribe to the Perceptive Photographer up on in iTunes and have you take a few minutes to do a quick review, it can help others learn about the show.

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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Is an audience required for meaning, or just for momentum?

In Episode 570 of The Perceptive Photographer, I found myself circling a couple of questions: Is an audience required for meaning, or just for momentum? And if no one ever sees a photograph, does it still matter? (and the difference between sees and seen)

As photographers, we’re surrounded by feedback. Images are shared, measured, ranked, and quickly replaced by the next shot. It’s easy to absorb the idea that a photograph only becomes real once it’s been seen. But when I slow down and think about why I started making photographs in the first place, the audience was originally never part of that conversation (although is sneaks in now at times).

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Moments that make us stop

When was the last time a photograph or moment behind the camera lens truly made you stop and catch your breath? Not just a quick “oh, that’s nice,” but a real, lingering moment of connection? Well, that is the topic for the show today, which is episode 569, btw. podcastsIf you think about the images you see every day, there are so many of them. We’re living in an age of visual overload. It can be easy to become distant and sort of numb to the images. We walk past or scroll by without really seeing. I do it all the time. 

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