tPP88 Creativity and Artist in Age of Uncertainity

Hosted by Daniel j Gregory

November 14, 2016

Episode Number:

What the heck is this week's podcast about?

Creativity and Artist in Age of Uncertainity

The world was dramatically changed last week with the election in the US. As many artist sit thinking about what it means, I challenge each and every one of you to take what you are feeling. All the fear, angst, or other feelings and push it into you creative process. Use that energy to create truly meaningful work.

It is important that as artist we find ways to tell our story and the story of others so that things of true importance remain front and center. Don’t just sit in your own head, get out the camera, crayons and crop circles. Find a way to tell your story. It is once again up to the creative artist to make society have significant and meaningful conversations.

If you subscribe to the Perceptive Photographer up on in iTunes and have you take a few minutes to do a quick review, it can help others learn about the show.

If you subscribe to the Perceptive Photographer up on in iTunes and have you take a few minutes to do a quick review, it can help others learn about the show.

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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Books for the giving season

n this episode of The Perceptive Photographer, I talk about book ideas for the holiday season, especially for photographers and creative folks. Thanks to a listener, David, I once again share some of my favorite reads or books for giving ranging from creative practice and photography theory to memoirs and photo books. The goal of this week’s episode (561) is to hopefully help you find meaningful books for yourself or the photographers in your life.

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Working With What the Photograph Wants

This episode explores the idea of working with what the photograph wants rather than forcing our intentions onto it. Once an image exists, it carries its own visual logic, weight, and rhythm. By slowing down, noticing what the photograph is already doing well, and letting accidents or imperfections remain, editing becomes a conversation instead of a correction. When we listen to the photograph’s internal voice, we discover a truer, more honest final image than the one we first imagined.

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Interpretation and translation

In this episode of the podcast I explore the idea of editing as translation. Rather than treating editing as technical cleanup, I look at how it becomes a way to interpret the lived moment of making a photograph. The camera captures facts but not the emotional truth, so editing bridges that gap. By shaping color, tone, and atmosphere, we translate experience into visual language and create images that feel honest, expressive, and connected to our intentions.

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