Podcast #157 Less talking & more clicking

Hosted by Daniel j Gregory

March 12, 2018

Episode Number:

What the heck is this week's podcast about?

One of the consistent things that you see when you study working artist is that they are always working. While they may spend some time researching, reading and talking about aspects of their work, they all have their nose to the grindstone. I have learned that this is more than just a desire to create work, but it also is a step forward to understanding the work. It isn’t enough to just sit around and think about the work, at some point you have to do the work. We learn who we are as photographers by making photographs.

We learn about our identity as an artist in the type of work we create, the meaningful photographs are not just things we create for others, but they are foundations for us to learn about how we see and create our worlds. They give us insights into the past, present, and future of the life we have and hope to have. Sharing the ideas of our vision allows us to take steps forward in work.

In this week’s podcast, we examine the importance of how creating our photographs gives us insights into the way we use our process to help us understand out our life unfolds.

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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Books for the giving season

n this episode of The Perceptive Photographer, I talk about book ideas for the holiday season, especially for photographers and creative folks. Thanks to a listener, David, I once again share some of my favorite reads or books for giving ranging from creative practice and photography theory to memoirs and photo books. The goal of this week’s episode (561) is to hopefully help you find meaningful books for yourself or the photographers in your life.

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Working With What the Photograph Wants

This episode explores the idea of working with what the photograph wants rather than forcing our intentions onto it. Once an image exists, it carries its own visual logic, weight, and rhythm. By slowing down, noticing what the photograph is already doing well, and letting accidents or imperfections remain, editing becomes a conversation instead of a correction. When we listen to the photograph’s internal voice, we discover a truer, more honest final image than the one we first imagined.

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Interpretation and translation

In this episode of the podcast I explore the idea of editing as translation. Rather than treating editing as technical cleanup, I look at how it becomes a way to interpret the lived moment of making a photograph. The camera captures facts but not the emotional truth, so editing bridges that gap. By shaping color, tone, and atmosphere, we translate experience into visual language and create images that feel honest, expressive, and connected to our intentions.

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