Part A inserts into part R and twist

Hosted by Daniel j Gregory

September 9, 2019

Episode Number:

What the heck is this week's podcast about?

Episode 235

If you have ever tried to put together a piece of furniture from IKEA or have been pulling your hair out because your friend can’t give you good directions to their house, this week’s podcast is for you.

This week we take a look at how important it is to understand the instructions we are following when we do something creative like create a photograph. There is so much that goes into a photograph and processing of an image. I would argue that most of us aren’t aware of all the decisions we are making. There is an old phrase that says something like those who can’t teach, which is a load of garbage. Those who can’t explain what they are doing can’t teach. Teaching is a lot about understanding how, what, when, and why something is happening. If you really want to know how to do something, teach someone else.

That is a challenge that I am asking you to take on this week. I want you to create some instructions for how you take a photograph and edit a picture. Then use those instructions to teach you about your process. What have you missed, skipped, repeated, or do for no reason you can figure out. Then examine what you can shift to try and find a new way to access your creative process. One of the most significant challenges we often face is understanding why we do something. By slowing way down and focusing on the smallest task, we might find some insight into why we make our work.

Gear used in podcast






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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Books for the giving season

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Working With What the Photograph Wants

This episode explores the idea of working with what the photograph wants rather than forcing our intentions onto it. Once an image exists, it carries its own visual logic, weight, and rhythm. By slowing down, noticing what the photograph is already doing well, and letting accidents or imperfections remain, editing becomes a conversation instead of a correction. When we listen to the photograph’s internal voice, we discover a truer, more honest final image than the one we first imagined.

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Interpretation and translation

In this episode of the podcast I explore the idea of editing as translation. Rather than treating editing as technical cleanup, I look at how it becomes a way to interpret the lived moment of making a photograph. The camera captures facts but not the emotional truth, so editing bridges that gap. By shaping color, tone, and atmosphere, we translate experience into visual language and create images that feel honest, expressive, and connected to our intentions.

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