Can you answer the question Why do you care?

Written by Daniel Gregory

I am a Whidbey Island, Wa based fine-art photographer and photographic educator. I am a core faculty member of the Photographic Center Northwest, as well as an instructor for CreateLive and KeblyOne . I also regularly presents at regional and national conferences. I also the host of the weekly podcast The Perceptive Photographer which focuses on the challenges and day-to-day aspects of living as a photographer.

October 19, 2020

Episode 293

I had a conversation with a friend a while back about photography and at one point, relating to photo editing, I asked him, Why do you care what someone else does so much? There was a long, almost uncomfortably long pause. The answer that he gave didn’t really matter much to me, but that pause really got me thinking about the idea of why do we care about things the way we do.

As we look at photography, I think we care about work because of its impact on us as we make it, and we hope the impact it has on others. The struggle for many of us comes from having to let go of the effect on others and accept that the work we make won’t always be important to everyone. It can be important to us. We can learn from it. We can care about it, but it might not impact others the way we want. Yet, understanding why you care about your own work and the work of others, I think, can give you exciting insights into how you approach and think about your work and how you share it. So this week’s podcast dives into the notion of caring about your work.

As always, hope you and yours are safe, and please remember to keep safe and wear your mask!

 

Gear used in the podcast

One of the questions I get asked frequently is what sort of equipment do I use to record my podcast. I have used a variety of equipment in the three years that I have been recording, but here is the current list of equipment that I am using. Also as an FYI and full disclosure, the links are affiliate links to Amazon.

Rode Procaster XLR microphone
Rode Boom Arm
Rode PSM Shockmount
All three Rode components a kit
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
LogicPro X
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Affiliate Links

This website may use affiliate links. This means when you purchase something through links marked as affiliate links (usually noted by a *), I may receive a small commission at no extra cost to you. I only recommend products and services that I personally use or have tested.

New Course at KelbyOne

You May Also Like…

AI and Computational Photography-When is it no longer a photograph?

AI and Computational Photography-When is it no longer a photograph?

I have been asked a lot recently about what I think about some of the new tools digital photographers have at their disposal. Many programs now offer “AI or machine learning” to help edit photographs. Now with the click of a few buttons, you can replace skies, change expressions, or quickly composite images together.

In today’s podcast, we talk a little about a few issues that arise when you think about the nature of computational photography and the language and words we might consider when talking about photography moving forward.

The rules and repeatability of composition

The rules and repeatability of composition

In the end, I think we all want to make interesting photographs, and the composition and framing are so much of that experience. The more you can be aware of composing, the more interesting and accurate stories you can tell. Being aware also gives you something else that is critical to photography–repeatability. You can repeat something repeatedly because you understand what happened and not just got lucky once with an accident. At the end of a day of photographing, knowing that we’re able to get the image you wanted because you understood the composition’s impacts making the editing and selection process that much more fun.

The joy and pain of muscle memory

The joy and pain of muscle memory

In this week’s podcast, we look at the impacts of muscle memory on our photography. Muscle memory, or the body’s ability to do something without thinking about it, is an important aspect of working as a photographer. This memory allows us to be able to quickly and efficiently do our jobs. From settings on the camera to keyboard shortcuts in a program, being efficient can really make a difference in how we can do our work. Yet, there is a downside. Anyone who has spent too much time hunched over a desk knows that bad things can happen when muscles remember bad things. Hunched over a desk can make our backs and necks hurt for days as the muscles unwind. In our photography, bad muscle memory can reinforce bad habits or make us a little lazy in our approach to editing and working. Spending some time to sort out what is good and bad about our muscle memory habits might make us better photographers and a little less sore.