tPP45: Equivalence in photography

Hosted by Daniel j Gregory

January 18, 2016

Episode Number:

In going through some older negatives this week, I found several images that were rather abstract and it was hard for me to initially remember the subject matter. As I stood over the light table, I thought about Alfred Stieglitz’s Equivalence work.

Alfred Stieglitz

Influences by Wassily Kandinsky, Stieglitz was interested in understanding how to push photography into a new realm. At the time photography was not really considered an art, and while Stieglitz worked hard to get photography elevated to an art, it was still in many ways stuck in the science and chemistry of its creation. Most images were, in what today’s terms would be considered straight photography. The images were often of the real world and didn’t expand the medium. Between 1925 and 1934, Stieglitz photographed a number of images of just clouds. He was interested in the emotional, feeling and meaning of the images as abstracts rather than focused on the subject of the clouds. Most of the images were taken without key reference points to aid the viewer in understanding the context of the image. This lack of context forced the view to work with the abstract nature of the photograph to attempt to find meaning. He would eventually call this series of images Equivalence.

Minor White and the California School of Photography

Many photographers associated with the California School of Photography (Harry Callahan and Aaron Siskind come to mind) were heavily influenced by this idea of using photography to create abstractions of the real world to convey meaning. Minor White wrote considerably on the topic and broke down much of the ideas and notions we have today of equivalence in photography into understandable chucks. Focusing in on the meaning that the viewer creates when looking at the photograph creates the equivalent moment, White was able to create a framework to understand how and why these images work.

Equivalence Exercises

A couple of exercises to help you create some of your own work that focuses on equivalents.

  1. Create a series of 10 images where the subject is unknown. What emotion, feelings or metaphors do you want to use to create meaning in the work. Focus on the feelings first and how your framing can help or hinder your efforts.
  2. Look back at your work work and see what images you consider equivalents. What makes them such? Is there a pattern to those images? What story does that work tell?
  3. When looking at images (your own or others) that you consider to be equivalents, what shape, form, compositional elements are used to invoke a response. Do you respond more to abstraction, color, form, patterns, or lines? What elements could you add to your own work to make your work stronger.

 

 

Affiliate Links

This website may use affiliate links. This means when you purchase something through links marked as affiliate links (usually noted by a *), I may receive a small commission at no extra cost to you. I only recommend products and services that I personally use or have tested.

New Course at KelbyOne

Three things to clean up before the end of the year

Three things to clean up before the end of the year

As 2022 starts to draw to a close, it is a time to look back and reflect on the prior year. As photographers that means we should look back at the impact of our photography. In this week’s podcast, I toss out three areas to think about cleaning up before the start of the new year so that you can put your best foot forward for 2023.

Thoughts on working with your audience

Thoughts on working with your audience

In this week’s podcast, I share some thoughts on how to use and work with your audience so that you can share your work and find more people who are engaged with your message.