Staying with something good or evolving to something better

Hosted by Daniel j Gregory

March 8, 2021

Episode Number:

What the heck is this week's podcast about?

Episode 313

Sometimes when we are working, it is easy to stick with what we are good at. We tend to think that we are meant to be doing it if we are good at something. However, being good at something doesn’t mean that we enjoy something or should keep doing something. In this week’s podcast, we talk about how sometimes we need to give up what we are good at in favor of doing what we’re meant to do or really want to be doing.

As always, I hope you and yours are safe, and please remember to keep safe and wear your mask.










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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Books for the giving season

n this episode of The Perceptive Photographer, I talk about book ideas for the holiday season, especially for photographers and creative folks. Thanks to a listener, David, I once again share some of my favorite reads or books for giving ranging from creative practice and photography theory to memoirs and photo books. The goal of this week’s episode (561) is to hopefully help you find meaningful books for yourself or the photographers in your life.

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Working With What the Photograph Wants

This episode explores the idea of working with what the photograph wants rather than forcing our intentions onto it. Once an image exists, it carries its own visual logic, weight, and rhythm. By slowing down, noticing what the photograph is already doing well, and letting accidents or imperfections remain, editing becomes a conversation instead of a correction. When we listen to the photograph’s internal voice, we discover a truer, more honest final image than the one we first imagined.

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Interpretation and translation

In this episode of the podcast I explore the idea of editing as translation. Rather than treating editing as technical cleanup, I look at how it becomes a way to interpret the lived moment of making a photograph. The camera captures facts but not the emotional truth, so editing bridges that gap. By shaping color, tone, and atmosphere, we translate experience into visual language and create images that feel honest, expressive, and connected to our intentions.

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