Revisiting the contact sheets

Written by Daniel Gregory

I am a Whidbey Island, Wa based photographer and photographic educator. I am a core faculty member of the Photographic Center Northwest, regularly presents at online and national conferences, and have classes at KelbyOne and CreativeLive. I host of the weekly podcast The Perceptive Photographer which focuses on the challenges and day-to-day aspects of living as a photographer.

October 11, 2021

Episode 344

If you haven’t taken the time to make a contact sheet, you should. They are worth their weight in gold. Many people think the contact sheet is used to select your best photograph to edit or enlarge, but I also think contacts teach you something about your approach to photographs and time behind the camera. The contact sheet lets you see how your vision unfolds and how the world you experience through the viewfinder says something about you. In this week’s podcast, we dive in to the value of making and using contacts sheets to better understand not just the great images you might make, but all the images you make.

As always, I hope you and yours are safe, and please remember to keep safe and wear your mask.

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Gear used in the podcast

One of the questions I get asked frequently is what sort of equipment do I use to record my podcast. I have used a variety of equipment in the years that I have been recording, but here is the current list of equipment that I am using. Also as an FYI and full disclosure, the links are affiliate links to Amazon.

Rode Procaster XLR microphone
Rode Boom Arm
Rode PSM Shockmount
All three Rode components a kit
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
LogicPro X
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Affiliate Links

This website may use affiliate links. This means when you purchase something through links marked as affiliate links (usually noted by a *), I may receive a small commission at no extra cost to you. I only recommend products and services that I personally use or have tested.

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