Realizing what we thought we knew we didn’t know in our work

Hosted by Daniel j Gregory

September 2, 2024

Episode Number: 495

What the heck is this week's podcast about?

In this episode of the podcast, I talk about some of the challegenes we can face when we look at our photographs under the lens of thinking we knew what they were about when we really didn’t know.









Affiliate Links

This website may use affiliate links. This means when you purchase something through links marked as affiliate links (usually noted by a *), I may receive a small commission at no extra cost to you. I only recommend products and services that I personally use or have tested.

Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Books for the giving season

n this episode of The Perceptive Photographer, I talk about book ideas for the holiday season, especially for photographers and creative folks. Thanks to a listener, David, I once again share some of my favorite reads or books for giving ranging from creative practice and photography theory to memoirs and photo books. The goal of this week’s episode (561) is to hopefully help you find meaningful books for yourself or the photographers in your life.

read more

Working With What the Photograph Wants

This episode explores the idea of working with what the photograph wants rather than forcing our intentions onto it. Once an image exists, it carries its own visual logic, weight, and rhythm. By slowing down, noticing what the photograph is already doing well, and letting accidents or imperfections remain, editing becomes a conversation instead of a correction. When we listen to the photograph’s internal voice, we discover a truer, more honest final image than the one we first imagined.

read more

Interpretation and translation

In this episode of the podcast I explore the idea of editing as translation. Rather than treating editing as technical cleanup, I look at how it becomes a way to interpret the lived moment of making a photograph. The camera captures facts but not the emotional truth, so editing bridges that gap. By shaping color, tone, and atmosphere, we translate experience into visual language and create images that feel honest, expressive, and connected to our intentions.

read more