Podcast #174 Diverging and converging ideas in our work

Hosted by Daniel j Gregory

July 9, 2018

Episode Number:

What the heck is this week's podcast about?

In the 174th episode of the Perceptive Photographer, we take a look at how various methods of expanding and narrowing down the photographic process can help us make better images behind the camera. The creative process has a huge influx of ideas from both external and internal sources. If we can find ways to maximize those inputs, it can often times give us a jumpstart on our creative practice. However, at some point, we need to being to cull through those ideas and images so that we can build a cohesion to our storytelling and imagery.

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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Is an audience required for meaning, or just for momentum?

In Episode 570 of The Perceptive Photographer, I found myself circling a couple of questions: Is an audience required for meaning, or just for momentum? And if no one ever sees a photograph, does it still matter? (and the difference between sees and seen)

As photographers, we’re surrounded by feedback. Images are shared, measured, ranked, and quickly replaced by the next shot. It’s easy to absorb the idea that a photograph only becomes real once it’s been seen. But when I slow down and think about why I started making photographs in the first place, the audience was originally never part of that conversation (although is sneaks in now at times).

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Moments that make us stop

When was the last time a photograph or moment behind the camera lens truly made you stop and catch your breath? Not just a quick “oh, that’s nice,” but a real, lingering moment of connection? Well, that is the topic for the show today, which is episode 569, btw. podcastsIf you think about the images you see every day, there are so many of them. We’re living in an age of visual overload. It can be easy to become distant and sort of numb to the images. We walk past or scroll by without really seeing. I do it all the time. 

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