Perceptive Photographer #24: Key Critique Concepts

Hosted by Daniel j Gregory

August 24, 2015

Episode Number:

What the heck is this week's podcast about?

PerceptivePhotographerWeblogo

I was recently asked by a listener about what makes a good critique session. While we have talked a lot on the podcast about language and critiques, in this episode we take a deeper look at the content that, in my own experience, makes critiques valuable. While some of the ideas might seem common place such as being honest and focusing on new insights about the work, the reality is that staying present in a critique is tough work.

You have to set aside you own ego and need to feel validated and focus on making the feedback you are giving really matter. You have to let go of right and wrong as well as good and bad to focus on moving a dialog for understanding forward. The ultimate goal of any feedback session to learn what is working and how to improve such that our work can be about what matters to us.

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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

In conversation with Jenny Hansen Das

n this episode, I’m joined by Seattle-based fine art photographer Jenny Hansen Das for a conversation about exceptions in photography and working with galleries. Jenny’s work blends analog and digital processes, with a focus on everyday moments presented in unexpected ways. She experiments with alternative techniques like cyanotypes and image transfers, creating handcrafted, one-of-a-kind pieces. She’s also the founder of The Seattle Light Room, a community darkroom and gallery in Seattle’s Seward Park neighborhood. Explore her portfolio at jennyhansendas.com, find her community darkroom at theseattlelightroom.com, and follow her on Instagram at @jennyhansendas and @theseattlelightroom.

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