The notion of sequencing images

Hosted by Daniel j Gregory

November 8, 2021

Episode Number:

Podcast: Play in new window | Download

Subscribe: Spotify | Pandora | iHeartRadio | TuneIn | RSS | More

What the heck is this week's podcast about?

Episode 348

Sometimes you get a great image. You print it and hang it on the wall. Other times, you have a collection of images that you want to pull together for a collection, show, or book. Anyone who has tried to pull multiple images together knows that there is an art to that process. It seems easy but never is.

In this week’s podcast, I talk a little be more about how to think about sequencing your images into an essay or story. What sort of considerations to make before, during, and after the process. I also step onto the soapbox a bit about how we view and understand this broader collection of images and how they impact our understanding not just of the series, but the individual building blocks and reactions to work.

As always, I hope you and yours are safe, and please remember to keep safe and wear your mask.

One of the questions I get asked frequently is what sort of equipment do I use to record my podcast. I have used a variety of equipment in the years that I have been recording, but here is the current list of equipment that I am using. Also as an FYI and full disclosure, the links are affiliate links to Amazon.










Affiliate Links

This website may use affiliate links. This means when you purchase something through links marked as affiliate links (usually noted by a *), I may receive a small commission at no extra cost to you. I only recommend products and services that I personally use or have tested.

Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Is an audience required for meaning, or just for momentum?

Feb 9, 2026 |

In Episode 570 of The Perceptive Photographer, I found myself circling a couple of questions: Is an audience required for meaning, or just for momentum? And if no one ever sees a photograph, does it still matter? (and the difference between sees and seen)

As photographers, we’re surrounded by feedback. Images are shared, measured, ranked, and quickly replaced by the next shot. It’s easy to absorb the idea that a photograph only becomes real once it’s been seen. But when I slow down and think about why I started making photographs in the first place, the audience was originally never part of that conversation (although is sneaks in now at times).

read more

Moments that make us stop

Feb 2, 2026 |

When was the last time a photograph or moment behind the camera lens truly made you stop and catch your breath? Not just a quick “oh, that’s nice,” but a real, lingering moment of connection? Well, that is the topic for the show today, which is episode 569, btw. podcastsIf you think about the images you see every day, there are so many of them. We’re living in an age of visual overload. It can be easy to become distant and sort of numb to the images. We walk past or scroll by without really seeing. I do it all the time. 

read more