How we think about photographs

Hosted by Daniel j Gregory

August 12, 2024

Episode Number: 492

What the heck is this week's podcast about?

In this episode, I dive into Stephen Shore’s thought-provoking photography concept of mental models and thinking about your images based on his book, “The Nature of Photographs”. In the podcast, we explore how framing, composition, and external influences shape our understanding of photographs on both a mental and physical level.

Couple of other notes from the podcast

Just a reminder about my critique class on September 21-22nd.

if you haven’t done so, check out the best images from the upcoming Paris 2024 Olympics. Some of them are amazing and so cool to see what those photographers captured.

I also suggest checking out Ashley Lagrange’s “Basic Critical Theory for Photographers” for a solid grasp of critical photography texts.

The world around us is impacting us as we make the photograph.

The camera captures light. And again, it’s bound by frame, it’s bound by composition that we set up in an effort to pull an abstraction.









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Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Books for the giving season

n this episode of The Perceptive Photographer, I talk about book ideas for the holiday season, especially for photographers and creative folks. Thanks to a listener, David, I once again share some of my favorite reads or books for giving ranging from creative practice and photography theory to memoirs and photo books. The goal of this week’s episode (561) is to hopefully help you find meaningful books for yourself or the photographers in your life.

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Working With What the Photograph Wants

This episode explores the idea of working with what the photograph wants rather than forcing our intentions onto it. Once an image exists, it carries its own visual logic, weight, and rhythm. By slowing down, noticing what the photograph is already doing well, and letting accidents or imperfections remain, editing becomes a conversation instead of a correction. When we listen to the photograph’s internal voice, we discover a truer, more honest final image than the one we first imagined.

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Interpretation and translation

In this episode of the podcast I explore the idea of editing as translation. Rather than treating editing as technical cleanup, I look at how it becomes a way to interpret the lived moment of making a photograph. The camera captures facts but not the emotional truth, so editing bridges that gap. By shaping color, tone, and atmosphere, we translate experience into visual language and create images that feel honest, expressive, and connected to our intentions.

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