Can we tell if you are upset?

Hosted by Daniel j Gregory

May 23, 2022

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What the heck is this week's podcast about?

Episode 376

One of the more interesting questions I get asked about during a critique typically deals with intention. Can you understand the intention of the photographer? Can you understand why they took a photograph? In many cases, I am not sure you can. I am often left wondering what the photographer is saying in those instances. I do believe that when we are creating our work, our real work, we are putting what matters to us into the work. In this podcast, I discuss the importance of making sure your conflicts, passions, and things you stand for appear in your work. Not everything has to make a statement or incite conflict, but you should know what to say about it when it does.

One of the questions I get asked frequently is what sort of equipment do I use to record my podcast. I have used a variety of equipment in the years that I have been recording, but here is the current list of equipment that I am using. Also as an FYI and full disclosure, the links are affiliate links to Amazon.










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This website may use affiliate links. This means when you purchase something through links marked as affiliate links (usually noted by a *), I may receive a small commission at no extra cost to you. I only recommend products and services that I personally use or have tested.

Gear used in the podcast

Rode Boom Arm
Rode PSM Shockmount
Rode Podcast Mic
Focusrite Scarlet 2i2
Adobe Audition (part of creative cloud subscription)
Macbook Pro
OWC Thunderbolt 3 dock
Headphones

Is an audience required for meaning, or just for momentum?

Feb 9, 2026 |

In Episode 570 of The Perceptive Photographer, I found myself circling a couple of questions: Is an audience required for meaning, or just for momentum? And if no one ever sees a photograph, does it still matter? (and the difference between sees and seen)

As photographers, we’re surrounded by feedback. Images are shared, measured, ranked, and quickly replaced by the next shot. It’s easy to absorb the idea that a photograph only becomes real once it’s been seen. But when I slow down and think about why I started making photographs in the first place, the audience was originally never part of that conversation (although is sneaks in now at times).

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Moments that make us stop

Feb 2, 2026 |

When was the last time a photograph or moment behind the camera lens truly made you stop and catch your breath? Not just a quick “oh, that’s nice,” but a real, lingering moment of connection? Well, that is the topic for the show today, which is episode 569, btw. podcastsIf you think about the images you see every day, there are so many of them. We’re living in an age of visual overload. It can be easy to become distant and sort of numb to the images. We walk past or scroll by without really seeing. I do it all the time. 

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