Do you edit yourself out of your work?

We all spend a tremendous amount of time and energy, learning our style, voice, and vision as an artist. Unfortunately, it can become easy to fall into bad habits, quick filters, and popular trends that result in us editing our photographs to meet some other objective than our voice. In this week’s podcast, I take a look a how editing yourself out of your photographs can be easy to do, and the impact it can have on your work. I also talk about some ways you can look back at your images from previous editing sessions to spot issues, trends, or incorrectly applied techniques to identify problem areas. Once identified, you can start to edit the photos again leaning into your own process, identity, and voice to create a photograph that is more reflective of the true you rather than an arbitrary you. We are always growing and chasing who we are as a creative artist, but editing yourself out of your work, intentional or not, is a much harder road to making work that really matters to you. 

Following breadcrumbs to your passions

Much like Hansel and Gretel, we often need to leave ourselves a way to get back home or to our creative place. If we use bread like Hansel and Gretel, we can easily get lost finding our way home. In this week’s podcast, I talk about how important it is to find your passion in your work and how to set some breadcrumbs to help you when you get lost. 

Are you a how, why or where?

I have been working as a photographic educator for a long time. I have noticed in working with others something that has mirrored my own education as an artist which is the approach to viewing photographs.In this podcast, we break down the basic approach someone might take to view a photograph either their own or someone else’s work. I have identified three main buckets that I think people fit into to when looking at work.
The first bucket is the how bucket.

The second bucket is why you took a photograph.

The third bucket, and most significant in my opinion is the where bucket. Not as in where were you physically standing, but where were you in your heart and soul when you clicked the shutter.

All three have value, but I think that if you spend the time to understand where you were in your life, thoughts and being when you created your images you might find a path to your best work. 

“I feel very fortunate to have met, worked and studied with Daniel Gregory. He’s thoughtful, engaging, and talented both technically and creatively.  I’ve had the chance to learn from him both one-on-one and in a group setting. He is a wonderful teacher and mentor.”

Jeff Merriman-Cohen

Color correction cheat sheet

Learning to print in color is about using a system of opposites to balance the photograph. This is the same process in the analog darkroom and in black and white printing. You add light to make it darker, subtract light to make it brighter and add the...